Архив за Май, 2010

Software updates

Понедельник, Май 17th, 2010

Chihully Glass Art at the Desert Botanical Garden (Photoshop Fractalius Filter) by Scandblue

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PhotoShop users have complained for years that PhotoShop can be quirky, unyielding, stubborn and generally difficult. Here are just a few tips and tricks that which you might not be able to locate in the Adobe PhotoShop manual when you need them. These will definitely make the Adobe PhotoShop work more easily for you. Most of these ideas will work on many versions of PhotoShop. 

By and large, these same tips and tricks work on PhotoShop for a Mac as well. The difference is that instead of using the Control key, Mac users will be using their Command key.

Layers Palette
When you start to work on an image in PhotoShop, check your Layers Palette first!

Don’t see the Layers Palette? No problem. Click on WINDOW (at the top of the PhotoShop screen, towards the right hand side) then click on Layers. The Layers Palette will appear on the screen.

If your Layers Palette has one layer, and the title of that layer is “Background,” you will need to change the title. As long as it says “Background,” quite a few options will be “grayed out” and will not allow you to use them when you click on them. This has been a huge source of frustration to new PhotoShop users for years now.

The solution is to double-click on the word “Background.” A new window will pop up which is called “New Layer.” 

Look for ” Name: Layer 0” …fFind it? Good! Highlight “Layer 0” with your mouse and type the letter “a” (or any other letter or number key you prefer) and hit OK (After this, whenever you double click on a layer title to change it, you will not get the pop-up window anymore. The title will simply become highlighted allowing you to type in a new name for that layer).

“Layer 0” has been replaced by “a.” (or whatever key you designated). You can name this just about anything, so find a key that is easy to hit. Yeah, you could give this layer a descriptive name if you wanted to, however you will often be working on many layers, knowing that they are going to be flattened eventually so you can save your work as a .jpg.

Only take the time to name your layers descriptive things if you plan on saving this file as a PhotoShop (.psd) file, or have confusingly similar layers that you would otherwise have a tough time keeping separated. It is important to remember that .psd files are larger and take up a lot more file space than .jpg, .tiff or .png files.

Now, if you want to click on EDIT, then Transform or Free Transform, those options are now available to you. Transform gives you options like scale, rotate, skew, distort, perspective, warp, rotation, flip horizontal and flip vertical.

Rotating Your Entire Picture
While Transform will allow you to change selected pieces of a layer, you will need to use IMAGE, Rotate Canvas to turn your entire picture. If you download a digital image from your camera, it might appear sideways if you turned the camera to get a long horizontal shot. Now’s the time to flip the image using IMAGE, Rotate Canvas. By using this option, the image doesn’t spill off the canvas. Sometimes, if you use EDIT, Transform, Rotate to turn a selection, that selection could end up partially off your canvas. You can only see what is on your canvas. So if you want to turn an entire picture, rather than just the selected part, use IMAGE, Rotate Canvas.

Beware of the Tools Palette Crop Icon!
Speaking of changing the picture drastically, if you use the Tools Palette’s Crop icon to crop your picture down to a smaller size, it will crop the entire file! Not just the layer you may be on at the moment.

Sizing Your Graphic
If you are fooling around with sizing, use the Marquee icon on the Tools Palette to copy the part of the picture you think you might like to keep. Copy and Paste that to a new layer. Don’t worry about creating a new layer. When you give PhotoShop the “paste” command, it will automatically paste that selection into a new layer for you. It is better to try out sizes with a new layer than it is to use the crop feature, then have to get into the History Palette to back up to where you were when you decide that you don’t like the cropped file.

Making a New Layer - Combining Several Merged Layers
Sometimes you have 5, 10 or 15 layers that you’d like to merge into one convenient layer. Perhaps you’d like to copy your work, at least those layers which are turned on and visible. But you might not want to merge all the layers. If you simply click on Merge Down, Merge Visible or Flatten Image, you will never be able to go back and “un-merge” them again after the file has been saved as one layer.

Why is this helpful? Sometimes I will have layers that change the look of the file and will turn on some layers for one use, and turn on others for another use. For instance, if the graphic is a woman with her hands outstretched, one layer may have her holding chocolate cake and a dish of ice cream. Another layer may put a pot roast and steaming hot mashed potatoes in her hands, and a third layer may contain a salad and bread. The same file can be used to illustrate different chapters in a cookbook, by simply making visible the food layer that is currently desired.

You can create a new layer which incorporates all the layers currently visible. BE SURE THAT ALL LAYERS YOU WANT TO HAVE INCLUDED IN THIS NEW LAYER ARE TURNED ON, that is, the little eyeball icon at the left of the layer title is showing. If not, click in the blank space where the eyeball should be and it will appear, and your layer will show on the canvas also. Then hold down all of these keys: Control, [Command instead of Control on a Mac] Alt, Shift and e.

If you clicked on your top layer before making a merged layer of visible layers, then the new merged layer will appear above that, at the top of your list of layers. The new merged layer always appears above the last layer that you clicked on, which is highlighted in the Layer Palette and is referred to as your “active layer.”

Cutting and Copying a Layer
Let’s say you want to copy a layer. You’d find that command under EDIT. But wait! It is grayed out. Regardless of whether your layer is called “Background” or something else, you will need to select what is to be cut or copied before that command will let you use it! If you will select the layer by either clicking on SELECT and ALL, or holding down both the Control key [Command instead of Control on a Mac] and the A key, then the layer will be selected and you can then go to EDIT and will see that CUT and COPY are now usable.

Hot Keys
Starting to use “hot keys” on the keyboard to activate commands, instead of clicking within PhotoShop itself, will save you a lot of time in the long run. Many people who are accustomed to using Microsoft programs will find it second nature to use the hot keys for Cut, Copy, Paste, Select All, etc. And those hot keys are the same in PhotoShop! When you put your mouse over an icon in the Tools Palette, the hot key equivalent will appear along with the name of the icon. The selections in toolbar at the top of PhotoShop (such as Image Size under IMAGE) show you the hot keys, when one is available. Not every command comes with its own hot key combination.

Drawing Around An Image With the Lasso Tool
This tip has saved me hours of aggravation! There are three lasso tools available for your use within the Tools Palette. Only one of the lasso tool icons will be visible on your Tools Palette at any given time. If you click on that lasso icon and continue to hold the mouse button down, the three lasso icons will appear and you can click on the one you want to use.

The regular lasso tool (the one at the far left) is a free-form way to draw borders. However, if you will hold down the ALT key while you use this tool, the lines that it draws will all be straight lines. This is very useful when you are outlining something! Increase the viewing magnification until the outline becomes a jagged edge of pixels. Then draw along the edge with the lasso tool, holding down the ALT key so that you go from point to point. When the magnification is high, you will find that just about anything you want to draw around is easier if you use straight lines. Some of those lines will be very short though. When you have completely enclosed what you are outlining so that the starting and ending points meet, reduce the magnification and you will see the entire outline. At this point, it is very helpful to save what you have just drawn. You'd hate to have to go through all that all over again!

Saving Your Lasso Outline or “Selection”
Click SELECT and Save Selection. The pop-up window gives you a place to name your outline. Next to  “Name:”  type in the name of the outline you just created. You can save quite a few outlines in there and go back to them when you need them. This function will not allow you to access an outline in any file, only the one you were working with it in. When you re-save the file, the outlines that you saved will be included.

The next time you go into PhotoShop, give these tips and tricks a try. They will make using PhotoShop easier, you’ll notice less grayed-out options and you may find you are working faster and with less frustration.

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They certainly couldn't push such a viewer silently through a required Windows Update — and alter our file associations so that PDF files opened with this new tool. Good lord, can you imagine the outcry if Microsoft was found to be messing with our preferences without our say so?! We'd never hear the end of it.

Make it an optional update, and you're leaving it up to users to make the switch. Based on what I've seen from the users I've supported over the past 16 years, good luck getting someone to switch applications when they already have one that works. We can shout security and common sense all day long, but at the end of the day, it likely wouldn't matter. Average users are much more numerous than power users like you and me, and they've been OK with Reader all along — even when you and I complained about sluggish start times and bloat. They simply aren't concerned.

On top of that, the problem isn't really Reader or PDF files in the first place.

The real problem is unwary users who don't know when they're being phished or misled. PDF currently provides a convenient attack vector but you can bet that the bad guys would simply find another way to ensnare users if Microsoft added a less-exploitable PDF viewer.

Yes, Reader exploits have been steadily rising. No, there isn't really a compelling reason for Reader to be able to launch external executables from a PDF. Yes, Adobe needs to overhaul the program's security features. Ultimately, though, computer users need to take more responsibility for their own security.

Pay attention to who's sending you email. Ask yourself, “is there any reason this person would need to send me a document?” Don't click Yes, OK, or Next without first understanding what's going on.

The best defense against malicious software, exploits, and scammers, isn't software — it's an alert, educated user who understands risks and takes the appropriate steps to mitigate them.

The new Updater is designed to keep end users up to date in an automated way.
With the activation of the new Updater, Windows users will have the option to download and install updates for Adobe Reader and Acrobat automatically, without user interaction. This is an important evolution in the distribution of updates. 

If you would like to activate the new feature. Go to Edit, Preferences (Ctrl-K), and then select Updater to chose your preferred update method.

 

For more information visit Steve Gotwalls' or Brad Arkin's blog postings.

 

Software updates

Пятница, Май 7th, 2010

"Smaragdify" Photoshop Action by Dave Ward Photography

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Creating Plastic Buttons can be done fairly easy in Photoshop. In a few easy steps you can create some nice looking Plastic Buttons. These buttons are used a lot on websites. If you are a beginner, don't worry. I will write the first part of this tutorial for beginners and the second part for the Advance users. In this tutorial I will show you how to create the Plastic Buttons in Photoshop. So let's begin.

How to Create Plastic Buttons in Photoshop for Beginners

Open your Photoshop program and let it load. Now you will need to create a new canvas. Go to the top of your Photoshop window and click File > New to create a new canvas. Create your canvas about 300 pixels by 300 pixels. You can crop your button when you are finished. Set your background to white and then click OK.

Now you will need to draw your button. Select the Rounded Rectangle Tool from your toolbar and draw a rectangle on the canvas. You can make what ever size button you want.

Next you will need to Rasterize your layer. Right click on the Shape Layer in the Layers Panel and click Rasterize Layer from the pop up menu. If you do not see your Layers Panel then press F7 on your keyboard.

Right click again on that same layer and select Blending Options from the pop up menu. The Blending Options dialog box will pop up. You will see many options on the left hand side of that box. Below I will tell you which ones to click on and what Values to enter in the fields. Make sure that you click on the word and not just check the box. If you just check the box then you won't see the options for that effect.

Drop Shadow

Blend Mode - Multiply
Color - # 8d8d8d
Opacity - 50%
Angle - 120
Distance - 5
Spread - 0
Size - 5
Contour - Linear
Anti-aliased - Unchecked
Noise - 0

Inner Shadow

Blend Mode - Multiply
Color - # cbcbc9
Opacity - 65%
Angle - 150
Distance - 1
Choke - 0
Size - 5
Contour - Linear
Anti-aliased - Uncheck
Noise - 0

Inner Glow

Blend Mode - Screen
Opacity - 100%
Noise - 0
Color - Black
Technique - Softer
Source - Edge
Choke - 0
Size - 100
Contour - Linear
Anti-aliased - Unchecked
Range -50%
Jitter -0

Bevel and Emboss

Style - Inner Bevel
Technique - Smooth
Depth - 100%
Direction - Up
Size - 6
Soften - 16
Angle - 164
Use Global Light - Checked
Attitude - 58
Gloss Contour - Half Round
Anti-aliased - Unchecked
Highlight Mode - Screen
Color - White
Opacity - 81%
Shadow Mode - Multiply
Color - Black
Opacity - 55%

Gradient Overlay

Blend Mode - Normal
Opacity - 100%
Gradient - # 98def5 > # d9f0f8 > # 9adff0 ( Please see image two if you do not understand this part.)
Reverse - Unchecked
Style - Linear
Align with Layer - Checked
Angle - 90
Scale - 93

Stroke

Size - 1
Position - Outside
Blend Mode - Normal
Opacity - 100%
Fill Type - Color
Color - # d0d3d4

Now click OK on the Blending Options Panel. Now your button should look like mine. You can add text to your button by selecting the type tool and typing on your button. If you have any problems with this tutorial, please feel free to contact me using the contact button at the top of this page.

How to Create Plastic Buttons in Photoshop for the Advance

Create a new canvas. Set your background to white. Next you will need to draw your button using your Rounded Rectangle Tool. Rasterize your Shape Layer. Right click your shape layer and open the blending options panel and enter the following.

Drop Shadow

Blend Mode - Multiply
Color - # 8d8d8d
Opacity - 50%
Angle - 120
Distance - 5
Spread - 0
Size - 5
Contour - Linear
Anti-aliased - Unchecked
Noise - 0

Inner Shadow

Blend Mode - Multiply
Color - # cbcbc9
Opacity - 65%
Angle - 150
Distance - 1
Choke - 0
Size - 5
Contour - Linear
Anti-aliased - Uncheck
Noise - 0

Inner Glow

Blend Mode - Screen
Opacity - 100%
Noise - 0
Color - Black
Technique - Softer
Source - Edge
Choke - 0
Size - 100
Contour - Linear
Anti-aliased - Unchecked
Range -50%
Jitter -0

Bevel and Emboss

Style - Inner Bevel
Technique - Smooth
Depth - 100%
Direction - Up
Size - 6
Soften - 16
Angle - 164
Use Global Light - Checked
Attitude - 58
Gloss Contour - Half Round
Anti-aliased - Unchecked
Highlight Mode - Screen
Color - White
Opacity - 81%
Shadow Mode - Multiply
Color - Black
Opacity - 55%

Gradient Overlay

Blend Mode - Normal
Opacity - 100%
Gradient - # 98def5 > # d9f0f8 > # 9adff0 ( Please see image two if you do not understand this part.)
Reverse - Unchecked
Style - Linear
Align with Layer - Checked
Angle - 90
Scale - 93

Stroke

Size - 1
Position - Outside
Blend Mode - Normal
Opacity - 100%
Fill Type - Color
Color - # d0d3d4

Now click OK on the Blending Options Panel. If you have any problems with this Photoshop tutorial, please feel free to contact me using the contact button at the top of this page.

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Recently, Didier Stevens, a well-known security researcher, demonstrated a social engineering attack, which relies on the “/launch” functionality as described in the PDF specification (ISO PDF 32000-1:2008) under section 12.6.4.5. This is a good example of powerful functionality relied upon by some users that also carries potential risks when used incorrectly by others. The warning message provided in Adobe Reader and Acrobat includes strong wording advising users to only open and execute the file if it comes from a trusted source. Furthermore, the default option within the dialog is to not execute.

Adobe takes the security of our products and technologies very seriously; we are therefore always listening to and evaluating ways to allow end-users and administrators to better manage and configure features like this one to mitigate potential associated risks. We are currently researching the best approach for this functionality in Adobe Reader and Acrobat, which we could conceivably make available during one of the regularly scheduled quarterly product updates.

As we investigate this, users can use the following method to further mitigate against this risk. For consumers, open up the Preferences panel and click on “Trust Manager” in the left pane. Clear the check box “Allow opening of non-PDF file attachments with external applications” as shown below.

For administrators who wish to accomplish this with a registry setting on Windows, add the following DWORD value to:
HKEY_CURRENT_USER\Software\Adobe\Acrobat Reader\9.0\Originals

Name: bAllowOpenFile
Type: REG_DWORD
Data: 0

Furthermore, an administrator can grey out the preference to keep end-users from turning this capability on, by adding the following DWORD value to: HKEY_CURRENT_USER\Software\Adobe\Acrobat Reader\9.0\Originals

Name: bSecureOpenFile
Type: REG_DWORD
Data: 1

Note: These samples assumed you were adding registry settings to Adobe Reader 9. For Adobe Acrobat, you would replace “Acrobat Reader” with “Adobe Acrobat”, and for a different version, you would substitute its value for “9.0″.

Adobe dropped a bumper patch for its PDF Reader and Acrobat today to fix 15 documented security holes that expose Windows, Mac and UNIX users to malicious hacker attacks.

The update is rated “critical” because of the risk of remote code execution attacks via rigged PDF files.

According to an advisory from Adobe, the vulnerabilities affect Adobe Reader 9.3.1 (and earlier versions) for Windows, Macintosh, and UNIX, Adobe Acrobat 9.3.1 (and earlier versions) for Windows and Macintosh, and Adobe Reader 8.2.1 (and earlier versions) and Adobe Acrobat 8.2.1 (and earlier versions) for Windows and Macintosh.

These vulnerabilities could cause the application to crash and could potentially allow an attacker to take control of the affected system.

This patch batch also coincides with the release of a new automatic update for the Reader/Acrobat software.  The default installation configuration runs automatic updates on a regular schedule and can be manually activated by choosing Help > Check for Updates.

Here are the raw details on the 15 documented vulnerabilities:

  • A cross-site-scripting vulnerability that could lead to code execution (CVE-2010-0190).
  • A prefix protocol handler vulnerability that could lead to code execution (CVE-2010-0191).
  • A denial-of-service vulnerability; arbitrary code execution has not been demonstrated, but may be possible (CVE-2010-0192).
  • Denial-of-service vulnerability; arbitrary code execution has not been demonstrated, but may be possible (CVE-2010-0193).
  • A memory corruption vulnerability that could lead to code execution (CVE-2010-0194).
  • This update resolves a font handling vulnerability that could lead to code execution (CVE-2010-0195).
  • A denial-of-service vulnerability; arbitrary code execution has not been demonstrated, but may be possible (CVE-2010-0196).
  • A memory corruption vulnerability that could lead to code execution (CVE-2010-0197).
  • A buffer overflow vulnerability that could lead to code execution (CVE-2010-0198).
  • A buffer overflow vulnerability that could lead to code execution (CVE-2010-0199).
  • A memory corruption vulnerability that could lead to code execution (CVE-2010-0201).
  • A buffer overflow vulnerability that could lead to code execution (CVE-2010-0202).
  • A buffer overflow vulnerability that could lead to code execution (CVE-2010-0203).
  • A memory corruption vulnerability that could lead to code execution (CVE-2010-0204).
  • A heap-based overflow vulnerability that could lead to code execution (CVE-2010-1241).

Also see this important note from Adobe’s Brad Arkin on the new automatic updater that was released today.

Software updates

Воскресенье, Май 2nd, 2010

Zipperhead - Winner of Photoshop User Awards 2009 in the artistic category by Glenn Karlsen

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Introduction: As you can see the original shot is extremely far from a masterpiece or work of art. With some full color editing, tone enhancement, and contrast adjustments you will surely end up with a much better looking picture. This tutorial is made especially for more intermediate and advanced Photoshop users.

Step One: Flattern your first layer, then deplicate so you can easily get back to your original layer at any time. Use Control+J for duplicating.

Step Two: Make yourself a new color balance layer with the adjustment layer icon.

Step Three: With this new layer you can now adjust the midtones, shadows, and highlights separately. Every photo needs different editing. Beware of burning certain parts with highlights and shadows. Keep values even otherwise you'll have an odd looking effects. Always enable the preview option and click OK when it looks slightly better than before.

Step Four: Now flatten the image. Layer>Flatten Image.

Step Five: Again, duplicate the layer with the hotkey you used before. You will now have a background layer and the new one you just created.

Step Six:
Change the new layer model from normal to hardlight in the layer menu. Adjust the layer opacity to about 65%, but the opacity for your specific photo could be from 40% to 90%. Use your judgment to determine what is best for your photo.

Step Seven: Create a new layer, except this time a Levels Adjustment layer. Modify the RGB Channel. First number is used to adjust the overall dark tones and shadows contrast. Use about 25. The second number is to adjust the midtones levels in your photo. Use 1.43. Its used to lighten your picture without dodging parts. Use 250.

Step Eight: Create another new layer, except a Hue and Saturation adjustment layer. Now you can edit the tone of each color in the Edit box. Don't put the values too high.Use the preview option. This will give you an idea of how it will look.

Step Nine: Flatten all your layers once more. Now your photo should look more enhanced.

Step Ten: Go to Image>Adjustments>Variations. Now you can tone the photograph how ever you look. For my photo I used green, blue, and cyan because of the specific landscape it is. Since mine is a lake, it was an appropriate color choice. If you have a forest, use greens and yellows. If you're using a sunset, you can use reds, yellows, and blues. Try to play with different color options to see what fits best. If you need to dark or lighten your photo when you adjust the variations, do so.

Then you're done!

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News, views, and other informal discussions about Adobe Systems Information Assurance initiatives that protect information by ensuring their authenticity, integrity, confidentiality/privacy, and non-repudiation. Digital Rights Management (DRM), Information Rights Management (IRM), digital signatures, Public Key Infrastructure (PKI), and identity management will be discussed frequently for Adobe applications and file formats.

A new TechNote has been published that is a rapidly evolving portal for administrator-centric documentation and tools that provides:

  • A formal enterprise administration guide in PDF format.
  • Comprehensive details about enterprise deployments, configuration, and security.
  • A living list of new topics added to the admin guide.
  • Links to other major admin-centric libraries.
  • Links to Tools

This is an excellent resource for anyone who needs to administer deployments of Adobe Acrobat and Reader. Go to the link below and bookmark it!

Check out Enterprise Administration of the Acrobat Family of Products